Archive for February, 2009

Lapsus Magazine

Sunday, February 22nd, 2009

picture-61

Featured in the inaugural issue of Lapsus Magazine. Lapsus is a new quarterly publication of contemporary photography. This first issue features a great list of photographers including, Rob Hornstra, Shen Wei, Shane Lavalette and Todd Hido.

Have a look here:

Taxis Pleins,Taxis Vides. Out Now

Tuesday, February 17th, 2009

jsbjtptvpackshot1

TAXIS PLEINS,TAXIS VIDES (which translates to FULL CABS, EMPTY CABS) is a new publication from the folks over at JSBJ. I’m very excited to be featured in the beautiful 76 page, full color offset press book, with a great group of international photographers. The first edition is limited to 500 copies, so get one while you can.

For more information about the book and to purchase. Here

Wired

Tuesday, February 17th, 2009

 

wired_cov_tear1

wired_tear1

 

I have an image published in the current addition of Wired. I shot a portrait of Patri Friedman for a story titled, “Live Free or Drown.” Patri is attempting to build a floating independent nation in the middle of the ocean, free from the confines of terrestrial government.

You can read the full story here.

Work in Progress

Tuesday, February 17th, 2009

dogtree_web2

bobcat_tree_web4

rodcat2_web1

Untitled#4 © Dustin Aksland

So I found myself on a hunting trip a couple of weekends ago, no gun, just a camera. Came back with a couple of images.

The Collector’s Guide to Emerging Art Photography

Tuesday, February 17th, 2009

 

aksland_31

I am pleased to be included in Humble Arts Foundation’s forthcoming publication, The Collector’s Guide to Emerging Art Photography. 

The Collector’s Guide is an invite only, unique 180–page source book distributed to collectors, art dealers, gallery directors, photo editors, museum professionals, and independent curators. Published biennially, The Collector’s Guide aims to further Humble’s mission by bridging the gap between ambitious early-career photographers and often-unapproachable photography professionals and art institutions.

More information about the book can be found here.